Switch Bitch

Now back in print along with Roald Dahl’s My Uncle Oswald, a surprisingly naughty and hilarious adult book by the beloved children’s author
Great wit, melancholy, and a sense of the erotic that would make even a fan of Fifty Shades of Grey blush pervade this collection of four adult short stories by Roald Dahl. Included here are “The Visitor” and “Bitch,” featuring the hilariously vivid exploits of the notorious Uncle Oswald, as well as “The Great Switcheroo” and “The Last Act.”
In these taut black comedies of human weakness and unexpected reversal, Dahl captures the delicious thrill of sexual triumph and the galling deflation of defeat.
Review«The four outrageous stories in Switch Bitch certainly do … In each case Roald Dahl sets up a realistic situation, then loads it with amazing and fantastic sexual possibilities. Then, somewhere this or the other side of pornography, he produces a denouement of the banana-skin kind--black banana-skin at that.”
(New Statesman )
«One of the most widely read and influential writers of our generation”
«The absolute master of the twist in the tale”
«Dahl is too good a storyteller to become predictable”
About the AuthorCHILDHOOD
Roald Dahl was born in Llandaff, Wales on September 13th 1916. His parents were Norwegian and he was the only son of a second marriage. His father, Harald, and elder sister Astri died when Roald was just three. His mother, Sofie, was left to raise two stepchildren and her own four children (Alfhild, Roald, Else and Asta). Roald was her only son. He remembered his mother as “a rock, a real rock, always on your side whatever you’d done. It gave me the most tremendous feeling of security”. Roald based the character of the grandmother in The Witches on his mother – it was his tribute to her.
The young Roald loved stories and books. His mother told Roald and his sisters tales about trolls and other mythical Norwegian creatures. “She was a great teller of tales,” Roald said, “Her memory was prodigious and nothing that ever happened to her in her life was forgotten.” As an older child, Roald enjoyed adventure stories – “Captain Marryat was one of my favourites” – before going on to read Dickens and Thackeray as well as short-story writer Ambrose Bierce.
His father Harald was, as Roald recalled in Boy, a tremendous diary-writer. “I still have one of his many notebooks from the Great War of 1914–18. Every single day during those five war years he would write several pages of comment and observation about the events of the time.”
Roald himself kept a secret diary from the age of eight. “To make sure that none of my sisters got hold of it and read it, I used to put it in a waterproof tin box tied to a branch at the very top of an enormous conker tree in our garden. I knew they couldn’t climb up there. Then every day I would go up myself and get it out and sit in the tree and make the entries for the day.”
Roald’s parents seem to have instilled in him a number of character traits. In Boy, he talks of his father’s interest in “lovely paintings and fine furniture” as well as gardening. In spite of only having one arm, he was also a fine woodcarver. Paintings, furniture and gardening would all be passions of the adult Roald Dahl. Similarly, remembering his mother, in Roald Dahl’s Cookbook, he recalls “she had a crystal-clear intellect and a deep interest in almost everything under the sun, from horticulture to cooking to wine to literature to paintings to furniture to birds and dogs and other animals.” Roald might very well have been describing his adult self.
SCHOOL
Roald had an unhappy time at school. From the age of seven to nine, he attended Llandaff Cathedral School. His chief memories of this time, as described in Boy, are of trips to the sweet shop. The seeds of Charlie and the Chocolate Factory were already being sown as young Roald and his four friends lingered outside the shop window, gazing in at the big glass jars of sweets and pondering such questions as how Gobstoppers change colour and whether rats might be turned into liquorice. Sherbert suckers were one of Roald’s favourites – “Each Sucker consisted of a yellow cardboard tube filled with sherbert powder, and there was a hollow liquorice straw sticking out of it… You sucked the sherbert up through the straw and when it was finished you ate the liqourice… The sherbet fizzed in your mouth, and if you knew how to do it, you could make white froth come out of your nostrils and pretend you were throwing a fit.”
Boarding at St. Peter’s prep school in Weston-Super-Mare, from 1925–9, proved less of a sweet experience for Roald. He was just nine years old when he arrived at St. Peters and had to contend with the twitching Latin Master Captain Hardcastle, the all-powerful Matron – a dead ringer for Miss Trunchball, who “disliked small boys very much indeed” and the cane-wielding Headmaster. Not surprisingly, Roald suffered from acute homesickness. At St. Peter’s, Roald got into the habit of writing to his mother once a week. He continued to do so until her death 32 years later. Later, when his own children went to boarding school, Roald wrote to them twice a week to brighten up the drudgery of their school days.
Roald was thirteen when he started at Repton, a famous public school in Derbyshire. He excelled at sports, particularly heavyweight boxing and squash, but was deemed by his English master to be “quite incapable of marshalling his thoughts on paper”. Whatever else he was forced to endure, there was one huge advantage to going to Repton. The school was close to Cadbury’s, one of England’s most famous chocolate factories and one which regularly involved the schoolboys in testing new varieties of chocolate bars.
Dahl’s unhappy time at school was to greatly influence his writing. He once said that what distinguished him from most other children’s writers was “this business of remembering what it was like to be young.” Roald’s childhood and schooldays are the subject of his autobiography Boy. WAR & ADVENTURE
At 18, rather than going to university, Roald joined the Public Schools Exploring Society’s expedition to Newfoundland. He then started work for Shell as a salesman in Dar es Salaam. He was 23 when war broke out and signed up with the Royal Air Force in Nairobi. At first, the station doctor balked at his height (6ft 6in or 2 metres) but he was accepted as a pilot officer and was trained on the birdplane Gladiator fighters, mainly in Iraq. He then flew to join his squadron in the Western Desert of Libya but crashed en-route.
Dahl’s exploits in the war are detailed in his autobiography Going Solo. They include having a luger pointed at his head by the leader of a German convoy, crashlanding in no-man’s land (and sustaining injuries that entailed having his nose pulled out and shaped!) and even surviving a direct hit during the Battle of Athens, when he was sufficiently recovered to fly again – this time in Hurricanes. Eventually, he was sent home as an invalid but transferred, in 1942, to Washington as an air attaché. It was there that he would meet an important writer who would set him on the path to a new career.
THE FIRST CHAPTER: ROALD BEGINS TO WRITE
In 1942, during his time in Washington, C S Forester, author of Captain Hornblower, took Roald to lunch. Forester was in America to publicise the British war effort and hoped Roald would describe his version of the war, which Forester would write up for the Saturday Evening Post. Roald chose to write down his experiences. Ten days after receiving the account, Forester wrote back “Did you know you were a writer? I haven’t changed a word.” He enclosed a cheque for $900 from the Post. The piece appeared anonymously in August 1942 under the title “Shot Down Over Libya”. Roald’s career as a writer was underway.
Roald Dahl’s first book for children was not, as many suppose, James and the Giant Peach but The Gremlins, a picture book published in 1943 and adapted from a script written for Disney. Walt Disney had invited the 25 year-old Roald to Hollywood, given him the use of a car and put him up at the Beverly Hills Hotel. The story of The Gremlins focused on the mischievous spirits that, according to RAF legend, cause aircraft-engine failures. In the end, the project to make a movie version was abandoned but the book was published. Roald was never very keen on The Gremlins and didn’t really think of it as a children’s book. Nevertheless, it caught Eleanor Roosevelt’s eye and Roald became a not infrequent guest at th