Daunt Books Publishing

Daunt Books Publishing is an independent publisher based in London. Founded in 2010, we grew out of Daunt Books, an independent chain of bookshops in London and the South-East. We publish the finest and most exciting new writing in English and in translation, whether that’s literary fiction — novels and short stories — or narrative non-fiction, including essays and memoir.

We also publish modern classics, reviving authors who have been overlooked and publishing them in bold editions with introductions from the best contemporary writers. We are responsible for bringing the work of Sybille Bedford, Dorothy Baker, M.F.K. Fisher, Natalia Ginzburg and Vivian Gornick back into print. In 2020 we launched Daunt Books Originals, an imprint for bold and inventive new writing in English and in translation. The first authors on this list include Elisa Shua Dusapin (translated by Aneesa Abbas Higgins), Kathryn Scanlan, Amina Cain, Brenda Navarro (translated by Sophie Hughes) and Brandon Taylor.

Daunt Books Publishing is part of the Independent Alliance. Our books are distributed by Faber & Faber in the UK or available to buy in our shops and on our website.
years of life: 2010 – present

Citati

Ivana Melgozaje citiralaprije 2 godine
Obsessed people cannot feel surprised by their obsession of course, that is one of their symptoms.
Ivana Melgozaje citiralaprije 2 godine
Quick as a flash Aeneas sprang up before my inner eye, and Cassandra had known him. Merely known him? What was there about him that might have touched her more deeply? Consideration, coupled with strength? So, I was transferring a contemporary ideal to a mythological figure who cannot possibly have been that kind of person? Of course. What else?
Ivana Melgozaje citiralaprije 2 godine
What is proved by the fact, authenticated though it seems, that women led the early clans who lived by agriculture; that the children they brought into the world belonged to them; that they continued to determine the inherited succession even in later, highly organized kingdoms; that they were the originators of all cults, of taboo and fetish, dance, song, and many early crafts? Doesn’t this harking back to an irretrievable ancient past reveal more clearly than anything else the desperate plight in which women see themselves today? If your first glimpse of the Minoan paintings (of their reconstructions) is a joyful shock, strange to say a shock of recognition: so the Elysian Fields do exist, you knew it all along – nevertheless, they do not lose their enchantment when you learn something more of the circumstances that produced them.
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