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Anais Nin

Delta of Venus

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  • TaeTaeje citiraoprije 2 godine
    You have taught us more than anyone I know how wrong it is not to mix it with emotion, hunger, desire, lust, whims, caprices, personal ties, deeper relationships that change its color, flavor, rhythms, intensities.
  • TaeTaeje citiraoprije 2 godine
    Writing erotica became a road to sainthood rather than to debauchery.
  • Elza Holtje citiralaprije 3 godine
    But Miguel could not see this. He continued to treat him as a woman. True, when Miguel was present, Donald’s body softened, his hips began to sway, his face became that of the cheap actress, the vamp receiving flowers with a batting of the eyelashes. He was as fluttery as a bird, with a petulant mouth pursed for small kisses, all adornment and change, a burlesque of the little gestures of alarm and promise made by women. Why did men love this travesty of women and yet elude women
  • Joanne Noeleneje citiraoprije 5 godina
    esuits, who con
  • b7231723385je citiraoprije 6 godina
    Japanese and Chinese women beckoning slyly, big African women squatting in circles, chatting together.
  • b7231723385je citiraoprije 6 godina
    Then he raised the quilt with his
  • Aloje citiralaprije 6 godina
    Sex does not thrive on monotony. Without feeling, inventions, moods, no surprises in bed. Sex must be mixed with tears, laughter, words, promises, scenes, jealousy, envy, all the spices of fear, foreign travel, new faces, novels, stories, dreams, fantasies, music, dancing, opium, wine.
  • Aloje citiralaprije 6 godina
    The source of sexual power is curiosity, passion.
  • Aloje citiralaprije 6 godina
    Sex loses all its power and magic when it becomes explicit, mechanical, overdone, when it becomes a mechanistic obsession. It becomes a bore. You have taught us more than anyone I know how wrong it is not to mix it with emotion, hunger, desire, lust, whims, caprices, personal ties, deeper relationships that change its color, flavor, rhythms, intensities.
  • Andrinaje citiralaprije 8 godina
    His touching was like a dance in which the bodies turned and deformed themselves into new shapes, new arrangements, new designs.
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