“Magisterial . . . make[s] you suddenly see new things in familiar books . . . brilliant analyses of a dozen or so front-runners in the Great American Novel sweepstakes.” —Michael Dirda, Virginia Quarterly Review
The idea of “the great American novel” continues to thrive almost as vigorously as in its nineteenth-century heyday, defying more than 150 years of attempts to dismiss it as amateurish or obsolete. In this landmark book, the first in many years to take in the whole sweep of national fiction, Lawrence Buell reanimates this supposedly antiquated idea, demonstrating that its history is a key to the dynamics of national literature and national identity itself.
The dream of the G.A.N., as Henry James nicknamed it, crystallized soon after the Civil War. In fresh, in-depth readings of selected contenders from the 1850s onward in conversation with hundreds of other novels, Buell delineates four “scripts” for G.A.N. candidates and their themes, illustrated by such titles as The Scarlet Letter, The Great Gatsby, Invisible Man, Uncle Tom’s Cabin, Beloved, Moby-Dick, and Gravity’s Rainbow—works dwelling on topics from self-invention to the promise and pitfalls of democracy.
The canvas of the great American novel is in constant motion, reflecting revolutions in fictional fashion, the changing face of authorship, and the inseparability of high culture from popular. As Buell reveals, the elusive G.A.N. showcases the myth of the United States as a nation perpetually under construction.
“Engaging and provocative . . . ultimately affirms the importance of literature to a nation’s sense of itself.” —Sarah Graham, Times Literary Supplement
“Rich in critical insight . . . Buell wonders if the GAN isn’t stirring again in surprising new developments in science fiction. An impressively ambitious literary survey.” —Booklist (starred review)
