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Books
Chad Michael Gasta

Transatlantic Arias

Through current theories of ideology, propaganda and musical reception, examines the development and impact of early opera in Spain and the Americas through close examination of the New World's first three extant operas: Tomás de Torrejón's Lima production of «La púrpura de la rosa» (1701), Domenico Zipoli's Jesuit opera, “San Ignacio de Loyola” (ca. 1720), and a recently-discovered indigenous opera from the Jesuit missions, the anonymous “San Francisco Xavier” (ca. 1720–1740).
360 tiskanih stranica
Vlasnik autorskih prava
Bookwire
Objavljeno prvi puta
2014
Godina izdanja
2014
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