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Tom Holland

In the Shadow of the Sword: The Birth of Islam and the Rise of the Global Arab Empire

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The acclaimed author of Rubicon and other superb works of popular history now produces a thrillingly panoramic (and incredibly timely) account of the rise of Islam.
No less significant than the collapse of the Roman Republic or the Persian invasion of Greece, the evolution of the Arab empire is one of the supreme narratives of ancient history, a story dazzlingly rich in drama, character, and achievement.  Just like the Romans, the Arabs came from nowhere to carve out a stupefyingly vast dominion—except that they achieved their conquests not over the course of centuries as the Romans did but in a matter of decades. Just like the Greeks during the Persian wars, they overcame seemingly insuperable odds to emerge triumphant against the greatest empire of the day—not by standing on the defensive, however, but by hurling themselves against all who lay in their path.
ReviewPraise for *In the Shadow of the Sword:

"[Tom Holland's] conclusions may be tentative, but they are convincing. His book is elegantly written and refreshingly free from specialist jargon. Marshaling its resources with dexterity, it is a veritable tour de force."—Malise Ruthven, Wall Street Journal*

«Those unwilling to struggle through academic texts have long needed a guide to the story of Islam as it's understood by those with the fullest access to the latest linguistic and archaeological evidence. Now at last in Tom Holland's In the Shadow of the Sword, they finally have it…. Holland—author previously of Rubicon and Persian Fire—is about as exciting a stylist as we have writing history today…. [This book is] accessible but delightful…as fun to read as any thriller, and with far richer intellectual nutritional content.»—David Frum, Daily Beast


"*The life of Muhammad and the rise of Islam are boldly re-examined in this brilliantly provocative history…. [An] ambitious and…important book…. Holland is a skilful and energetic narrator, and while he guides us along the more intricate twists and turns of the period, he also keeps our eyes on the bigger story."—Anthony Sattin, Guardian Observer* (London)

"*[An] elegant study of the roiling era of internecine religious rivalry and epic strife that saw the nation of Islam rise and conquer…. Holland confronts questions in the Quranic text head-on, providing a substantive, fluid exegesis on the original documents. Smoothly composed history and fine scholarship."—Kirkus Reviews
*

«This is a book of extraordinary richness. I found myself amused, diverted and enchanted by turn. For Tom Holland has an enviable gift for summoning up the colour, the individuals and animation of the past, without sacrificing factual integrity. He writes with a contagious conviction that history is not only a fascinating tale in itself but is a well-honed instrument with which we can understand our neighbours and our own times, maybe even ourselves. He is also a divertingly inventive writer with a wicked wit — there's something of both Gibbon and Tom Wolfe in his writing… [and] he possesses a falcon eye for detail…. [A] spell-bindingly brilliant multiple portrait of the triumph of monotheism in the ancient world.»—Barnaby Rogerson, the Independent (London)

«This dramatic investigation of the origins of Islam is both a thrilling narrative history and a compelling piece of detective work…. A compelling detective story of the highest order, In the Shadow of the Sword is also a dazzlingly colourful journey into the world of late antiquity. We encounter brain-eating demons; a caliph with such oral-hygiene problems that he could kill a fly with one breath; and that old favourite, St
Simeon Stylites, rotting away on his pillar but still managing to miraculously cure a man with unfeasibly large testicles, “like a pair of clay jars”. Every bit as thrilling a narrative history as Holland's previous works, In the Shadow of the Sword is also a profoundly important book. It makes public and popular what scholarship has been
discovering for several decades now: and those discoveries suggest a wholesale revision of where Islam came from and what it is.»—Christopher Hart, Sunday Times (London)

"[M]agnificent…and brave….The historian and author of Rubicon and Persian Fire has now, after five years’ work, come up with In the Shadow of the Sword. His story is so compellingly told that it could almost be Dan Brown, except that Holland writes brilliantly, with a simultaneously dashing, meticulous and at times ravishingly camp style, and his tale is true."—Michael Bywater, The Week (London)

«Tom Holland is a writer of clarity and expertise, who talks us through this unfamiliar and crowded territory with energy and some dry wit…. [T]he emergence of Islam is a notoriously risky subject, so a confident historian who is able to explain where this great religion came from without illusion or dissimulation has us greatly in his debt.»—Philip Hensher, The Spectator (London)

Praise for The Forge of Christendom

“An entertaining account of the fraught last years of the Dark Ages.”— The Wall Street Journal

“An enjoyable and exuberantly argued book … Holland combines sound scholarly credentials with a gift for storytelling on a magisterial scale … In a tightly woven and sometimes witty narrative, [Holland demonstrates] the subtle interplay of genuine religious sentiment and cynical power politics.”—The Economist

“[This] is narrative history in the grand manner, written with the panache and confidence we associate with the great historians of the 18th and 19th centuries.”—Allan Massie, The Daily Telegraph

“A superb, fascinating and erudite medieval banquet.”
—Simon Sebag-Montefiore, Evening Standard

Praise for Persian Fire

“Excellent … Holland is a cool-headed historian who writes here no less authoritatively and engagingly on classical Greece than he did on ancient Rome in his last book, Rubicon.”—Mary Beard, The Times Literary Supplement

“It is . . . a testament to Holland’s superlative powers as a narrative historian that he brings this tumultuous, epoch-making period dazzlingly to life, and makes the common reader familiar again with one of the most thrilling periods in world history.” —William Napier, The *Independent

Praise for Rubicon*

“Not since Ronald Syme's The Roman Revolution has there been such an original and enlivening piece of Roman history. Tom Holland has the rare gift of making deep scholarship accessible and exciting. A brilliant and completely absorbing study.”—A.N. Wilson

“A book that really held me, in fact, obsessed me … Narrative history at its best.” –Ian McEwan, The Guardian, Books of the Year

“Richly resonant. … Ancient history lives in this vivid chronicle.”—Booklist (starred review)
About the AuthorHistorian Tom Holland is the author of the works of history Rubicon, Persian Fire, and The Forge of Christendom.  He reviews regularly for the TLS, and has adapted Homer, Herodotus, Thucydides, and Virgil for BBC Radio. Rubicon was short-listed for the Samuel Johnson Prize and won the 2004 Hessell-Tiltman Prize for History, and Persian Fire won the Anglo-Hellenic League’s 2006 Runciman Award.

@holland_tom
www.tom-holland.org
www.doubleday.com
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  • Adil Nurmaganbetovje podijelio/la dojamprije 5 godina
    👍Vrijedna čitanja

    An interesting perspective on the early days of Islam with the insights into the context of the Middle East conflicts that had been shaking the area for almost two centuries before the Arabs federation emerged.

Citati

  • Adil Nurmaganbetovje citiraoprije 5 godina
    Muslim commentators invariably equated the phrase “the Trustworthy Spirit” with the angel Gabriel—but the Qur’an never actually states that the Prophet received his revelations from Gabriel. Indeed, to anyone familiar with the much later tradition that Muhammad was addressed by an angel over the course of his prophetic career, visions of light and supernatural voices are notable by their absence from the Qur’an. As Uri Rubin (1995) has argued, “the basic tale of Muhammad’s first revelations accords with biblical rather than quranic conventions, and the story was initially designed to meet apologetic needs” (p. 109).
  • Adil Nurmaganbetovje citiraoprije 5 godina
    56 For more on this, and other parallels between the Greek and Qur’anic notions of paradise, see the brilliant online article by Saleh. As he points out (p. 54)—albeit possibly with tongue in cheek—the very word used in the Qur’an to signify the heavenly maidens—hur—has an echo of Hera’s name.
  • Adil Nurmaganbetovje citiraoprije 5 godina
    44 Qur’an: 9.29. The precise meaning of this verse is notoriously problematic. For a sample of the various attempts to make sense of it, see Ibn Warraq (2002), pp. 319–86.

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